The narrative insight is totally key. The narratives will ideally weave virtues and vices as poles of a cohesive story-object. When virtues are separated from vices it’s like narrative incompleteness/overcompleteness.
Yes, I think this is right. The art is to make your reality tunnel so subjective as to be objective, unavailable to outside engineering. That is the place of true relationship and directed will
The narrative insight is totally key. The narratives will ideally weave virtues and vices as poles of a cohesive story-object. When virtues are separated from vices it’s like narrative incompleteness/overcompleteness.
Yes, I think this is right. The art is to make your reality tunnel so subjective as to be objective, unavailable to outside engineering. That is the place of true relationship and directed will